The T-max 3200 was one of my favorite film, but the TRi-X 400 always was my absolute favorite: I could shoot it from 400 to 3200 (and sometimes more) and always loved the rendering and grain quality.
I don't really shoot film anymore, even if I know I should. It just seems I accidentally discovered an easy way to emulate quite closely the look of the Tri-X pushed at 3200 in camera (and also another way to emulate very closely the Fuji Acros Neopan 100, but that is another story).
This is the last photo I took with the Trix-X, a few couple years ago. That was a low res scan that quite killed the grain.
For many reasons, I'm not yet ready to invest again in a film setup, but I'd really like to get a rendering that is close enough without the hassle to have to use some film simulation plugin or software.
For the kind of photography I'd shoot with the Tri-X, SOOC jpegs seems to be the way to go: there is some irremediability in this ways of shooting that actually fits what I was doing on film. No way to recover any burnt highlights or shadows, no way to change the grain. Exposure has to be nailed in camera, and the only post processing can actually be some very slight histogram adjustments: exactly what I was doing in the lab. (I know highlights recovery was very doable with film, but it was, to me, a real hassle and waste of time; definitely not a funny task).
So, I was playing with the D2Xs and for some reason I set it up for SOOC black and white jpegs, shot a few things at various ISO, especially high ISO, and I noticed on the tiny screen that the grayscale conversion was quite familiar. I inspected those photo at 100 on my computer, and it definitely was very familiar.
It just looked like how I remembered the Tri-X pushed at 3200: the way colors are converted is close enough, the contrast is quite similar, so is the dynamic range, and the grain is something in between the fat Tmax 3200 grain, and the slightly finer Tri-X grain when pushed. There is even something that kinda looks like the film halation effect on the Tri-X, with a subtle diffuse halo around bright highlights.
Of course, it is NOT a perfect technical simulation, but the general mood, to me at least, is definitely close to what I used to get from this film. I think it's actually better than the simulation softwares: especially the grain simulation never really convinced and was far for what I got from the film.
After those first tests, I slightly adjusted the custom rendering curves in the D2Xs. That old camera actually allows 3 user custom curves. that was neat at the time. It still is. I think the contrast is now a bit closer the the Tri-X especially in the mid tones. I can't do anything about color sensitivity in camera, but I'm quite happy with it anyway. I even created a curve that allow a near perfect (in my opinion) emulation of the Fuji Acros Neopan 100 when shooting the D2Xs between 640 and 800 ISO, but that for another story.
It is to me very convenient, and offer some interesting new (old) shooting options.
It feels like shooting film, and the end result is convincing enough.
Not a perfect emulation of the Tri-X, more something in between the Tri-X and the T-Max, sorry for the click bait title.